Welcome to my world. On the other pages of this site you will find everything you want to know about my writing.
On this page, you will find me.
This blog is not writing-centric, but rather, where I express whatever, whenever. Sometimes there will be writing announcements, but most of the time just me. Enjoy!
My dreams often feel like warped, twisted, versions of some sort of reality television show filmed by those who failed therapy, ignored their court-appointed rehab, and haven’t been to AA for so long they think it stands for And Another. My camera man is drunk and my special effects crew is on crack. I’ve said both of those things before. After the last week, I believe it wholeheartedly. Because now it seems the set director is on vacation and the intern doesn’t work fast enough.
But I can’t seem to figure out why, what it means, or even how fast Freud would just give up and lock me into a nice safe room with a snug jacket and fluffy walls.
For instance… See the image for today? How many times did you refresh thinking there was something wrong with it? Nope, there’s not. That’s actually just a plain black box of nothing. And the star of my dreams lately.
I don’t remember the dreams themselves most of the time, which is normal after the first cup of coffee, but I do remember the little black squares. I remember they’re not important or even really noticed during the dream, but afterward I could tell you where they appeared. Very strange. See, these black blocks are speckled throughout and simply provide a nothingness instead of details, in a freaky two-dimensional cut-out construction paper kinda way. For instance, I’ll be able to see everything in the room and talk or move around or do whatever it is I’m doing, but the black blocks will be where the detail isn’t finished. Like on top of an end table, instead of knickknacks, lamps or books. Or on a wall, in lieu of pictures. Or even on a menu, rather than actual choices.
It’s very bizarre and seems to be completely acceptable in the dream. Oh if only I could do the whole lucid dreaming thing and pause all the action while yelling at the design crew to finish up.
Of course, my dreams are still wonky, don’t get me wrong. Just this morning I woke from being out for a drink with the girls, in a restaurant located in an old western clothing store where they never took the clothes off the wall or removed the racks of boleros and cowboy boots. Nikki was pissed off because she was enjoying a cigar in the wrong part of the restaurant, and her boss told her she had to put it out and go stash it in her office—for whatever reason I decided to bring it there for her and set it in a dish on her desk, only to have the maid service ask me if they should dump it or keep it. Drew was in the bathroom milking lab mice and using it for some explosive experiment to get his students to pay attention. And of course, the sewage accident that shot dirty water out a port on the wall—the water retaining the shape of the pipe and chasing people around ala the water worm from The Abyss. Yup, perfectly normal dream for me… except the black squares in the bar at the restaurant, on the fishtank, obscuring portions of the bathroom lab, hiding the other items on the desk, and filling in for the faces, clothes or hands of the people at the next table.
Yeah… welcome to my dreamworld, here’s a black square—just put it anywhere.
Too much death lately.
First it was my nana. Nana was tough. Is still tough some days. Then we lost a women I once called Ma who’s son I never married but who’s grandchildren I used to plan in swirling hearts on school notebooks—I still don’t know what to call her twenty-five years after her son and I broke up. (What the hell do you call the mother of your first love, whose house you basically lived in for several years? I haven’t even seen her since we unexpectedly buried one of the gang fifteen years ago.) And now…now my aunt Jean.
They come in threes. I can be done now, right?
I told you about Nana. I started a blog about Ma B, but I can’t figure out what to feel, let alone say. My aunt, though? Shock. Tears… followed by the numbness of denial, then on to anger, and back to tears, all happened in the span of the phone call from my mother Saturday. I spent the rest of the day just trying to absorb the reality, bombarded with memories.
As I sit here, in the stillness of insomnia’s hours, I am realizing now how lucky I was to spend as much time with family as I did when I was growing up. I had sleepovers with Aunt Jean much like I did Nana. And the strongest memories of her and Uncle Jim are from those times, not just the visits. While there are many memories, there’s one that seems to jump up and yell for attention, repeatedly haunting me throughout the weekend. The paper dolls.
See, my aunt gave my sister and I paper dolls to play with. For those who don’t remember or just don’t know, these are thin cardboard cut-out figures in underwear with tabbed clothes you hang on the body (see picture). My first attempt to over-analyze why this memory seemed so needy was the innocence of it. We used to actually play with paper. No cell phones, iPads, Xbox or internet. Paper. There’s something about generational innocence there that seems to want to be said, but doesn’t really need to be, because everyone knows it, gets it, sees it. It just is. Times change, entertainment changes, blah blah change. So I let that analysis fade away and went back to the memory itself.
My aunt didn’t just hand them to us and walk away. They weren’t something to occupy us. They were something to do with us, to broaden our imagination, and explore our artistic side. She gave us the dolls and clothes, but then she pulled out paper, and colored pencils (I remember her having to sharpen those over and over with a knife—ah the old days), and sat with us. She showed us how to make our own tabbed wardrobes. We spent hours doing this, on many sleepovers, for several years. I remember thinking how artistic we were for getting to use the colored pencils instead of crayons. I remember tracing the dolls and designing—from clothes to shoes to even the hair, we could dress them up fancy or down to earth, give them blond hair or brunette, hanging down, in a pony or under a hat. We could change their appearance, and with it, the two dimensional illusion of personality, wants, desires, hobbies and habits.
And that’s where the little analyst in my head jumped on board and latched on.
Paper dolls were an introduction to the various masks we would wear throughout our life. We were just learning to put them on something else first, before testing the waters with our own naked selves. As we grow and evolve, our fashion changes, our outward appearance changes, our public attitude and persona change. What we show the world is nothing more than a tabbed piece of paper, lovingly cut out of our imagination and hung precariously from our shoulders. Some outfits we keep until they yellow with age or get torn or lost in the mix of things. Others we try out and shed as quickly as a new divorcee plays dress-up to find herself in the lost pieces of wardrobe. But they’re all just that, outward appearance. The paper doll underneath remains naked, fragile, vulnerable to the elements of time.
I’m going to miss my aunt horribly. For so many reasons. She was the record keeper for our lineage (the last blood gypsy of her generation), the maker of paper dolls and sharpener of colored pencils, and a champion of the arts (she was a rosemaling master, and her eldest an artist). And as is with all who pass on, I will cherish the memories, and take from them the lessons they offer…
Which, in this case, means I need to make new outfits for my paper doll self. I need a knife to sharpen the colored pencils, and with that, maybe a band-aid.